[on the massive success of "Let's Dance" and how it led to a creative low in his career] I was something I never wanted to be. I was a well-accepted artist. I had started appealing to people who bought Phil Collins albums. I like Phil Collins as a bloke, believe me, but he's not on my turntable twenty-four hours a day. I suddenly didn't know my audience and, worse, I didn't care about them.
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