(On shooting Trespass (1992) through videotape) I simply saw it as a visual opportunity to play a lot of the movie through a viewfinder. I thought it might get you inside the gang better... I wanted everything to be rough around the edge. We shot most of the movie hand held... I wanted it to be herky-jerky. We Dutched a lot of the angles, especially as the story unfolds because the story gets crazier and crazier. We went from a less elegant-the early parts of the movie, there are no hand helds at all-but as the story gets more nervous and crazy, we go more and more to a hand held thing until, finally, the end of the movie is all entirely hand held.
