The blue-eyed blonde was occasionally a brunette in films. In Das Haus der sieben Sünden (1940), she wore her hair darker because star Marlene Dietrich insisted on no competing blondes in her pictures.
The blue-eyed blonde was occasionally a brunette in films. In Das Haus der sieben Sünden (1940), she wore her hair darker because star Marlene Dietrich insisted on no competing blondes in her pictures.