Songwriters always reminded me of that kid at school who would go around with his guitar, like, "Yeah, songwritin' man," looking wistful. That wasn't me - those kinds of people put me off. In the early days, I'd write a bunch of lyrics and almost look at them as a sort of joke, to make the rest of the boys laugh. And then we'd jigsaw all these parts together to make the tunes. With The Last Shadow Puppets album, Miles Kane and I took a much more traditional approach, thinking about melodies and chords, melodies and lyrics. That opened the door to more of a purist approach. Every time you write a song, you're looking for some sort of perfection, and you never quite reach it. You're always looking for that extra missing piece.
